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Candela club los acosta march 302/12/2024 ![]() Mira mamá que yo vengo quemando (me quemo aé)įaustino Orama' tú está acabando (me quemo aé) Mira no quiero seguir guarachando (me quemo aé) Santiago de Cuba está que te mete en llamas Malaguen está que corta mamá (me quemo aé) Mira que Songo, está que arde (me quemo aé) Y no quiera seguir guareajando (me quemo aé) ![]() ![]() Mira que el fuego me está quemando (me quemo aé) Para que vengan a apagar el fuego (me quemo aé) Margarita llama pronto a los bomberos (me quemo aé) Mira se quema, se quema mama (me quemo aé) Se le abre el entendimiento (me quemo aé) Me gusta seguir guarachando (me quemo aé)Įstá tarde venimo' acabando (me quemo aé)Ĭomo quera seguimo' tocando (me quemo aé) La candela me esta llamando (me quemo aé) Oye si estas perdido marca los siete cerosĪy Candela, Candela, Candela me quemo aé mama (Ay Candela, Candela, Candela me quemo aé) Oye Faustino Oramas y sus compañeros necesito Y ahora si quieren bailar busquen otro timbalero Y el gato en su buen bailar, bailaba un danzón livianoĮl ratón se sube a guano y dice bien placentero Salió el ratón medio loco, también voy a descansar Several surviving members of the Buena Vista Social Club, such as veteran singer Omara Portuondo, trumpeter Manuel "Guajiro" Mirabal, laúd player Barbarito Torres and trombonist and conductor Jesús "Aguaje" Ramos currently tour worldwide, to popular acclaim, with new members such as singer Carlos Calunga and pianist Rolando Luna, as part of a 13-member band called Orquesta Buena Vista Social Club. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively Compay Segundo and González in 2003, then Ferrer in 2005. The "Buena Vista Social Club" name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. Some of the Cuban performers later released well-received solo albums and recorded collaborations with stars from different musical genres. The success of both the album and film sparked a revival of interest in traditional Cuban music and Latin American music in general. ![]() Wenders' film was released in June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards. German director Wim Wenders captured the performance on film for a documentary-also called Buena Vista Social Club-that included interviews with the musicians conducted in Havana. The group's eponymous album was recorded in March 1996 and released in September 1997, quickly becoming an international success, which prompted the ensemble to perform with a full line-up in Amsterdam and New York in 1998. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, many of whom had been retired for years. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to… Read Full Bio ↴ Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba.
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